WEEK 13: THE HANDMAID’S TALE
I have seen how successful the hit television series of “The
Handmaid’s Tale” is, but never found interest in it before. Now that I’ve exposed
myself to the raw, horrific drama created by Margaret Atwood, the show is on
the top of my watch list. I really had no idea what this story was about until
I opened it. First of all, I believed this to be more of a historical drama
about a handmaiden in middle America. I had no idea that this was set in a
future, dystopian America where everything regressed to worse times. I guess
that’s what made it seem so traditional and not progressive, which is the
direction that today’s society is heading towards. It is frightening to think
that this could be a possible future for our society. I feel that this book
dove deep into the mindset of not only women but men as well on the subject of misogyny
and oppression. Atwood made an extremely clever connection to such a prominent
social issue by making it even more visual with the segregation of colored
dresses.
The way that the story was being told was quite interesting
as well. I like that the novel focused mainly on Offred, but it also gave a lot
of insight to other handmaids and supporting characters. This made me feel
engaged, and the story felt more authentic. The genre of the story felt almost
like drama, dystopian to me. I actually did not know that Dystopian was a
subgenre under the umbrella term “speculative fiction,” so that was new. For me
though, it doesn’t really matter what kind of label you put on a book. As long
as the message is clear and the author was able to communicate it effectively,
genre is just a tag to organize books on bookshelves. Knowing the genre didn’t
change my perspective on the story in any way, but I guess it could lead to
generalizations/ expectations in some cases. It was probably a smart choice to
just go into the story blindly.
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